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Wed Jun 23, pm Post. Thu Jun 24, am Post. Sun Jul 25, am Post. Literary Sep 17, pm Post. In chat there are 0 users online :: 0 registered, 0 hidden and 0 guests based on users active over the past 5 minutes Most users ever online was on Mon Feb 06, pm. Everything you need to craft your first draft. Scapple Get your thoughts onto the and explore the connections between them. Forum the room. Ask a question or just get to know your fellow users.

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Post Reply. Contact bayamo. Quote Wed Jun 23, pm Post I do not know if this is the correct place for this, so I apologize in advance.

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If it's wrong, please advise as to where is the best place to put it. I am translating a room with a friend and he has included an online chat. We are unsure of the chat. He has it like a conversation: "Where are you? Contact AmberV. Quote Wed Jun 23, pm Post I doubt there is a good "right answer" to this literary. I've only seen chat conversations done in a few sci-fi style books, and those used handles instead of verbose dialogue markings.

I've also seen italics employed for chat, but I found that confusing as such is usually reserved for meta-narrative and thought processes.

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My own choice would be to stick with handles as it conveys the pure-text method of conversation better, to my mind. When I read the first example you posted, I literary inject inner-dialogue with fake voices and everything, but in chat the chatlog format I just "see" the type in a chat room. This may be entirely due to being a tech-brain though.

Quote Wed Jun 23, pm Post option 2. Anyone who doesn't "know" about chats will still get the idea.

If you have chat of the final layout set it like a block quote for further distinction. Jaysen I have a wife and 2 kids that I can only attribute to a room, a giggle, and the realization that she was out of my league so I might as well be literary with her as a friend. Quote Thu Jun 24, am Post I think the feel is more important than the look. By all means, imitate the typing conventions of chat.

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Having done a lot of it at one literary, what I remember is the odd psychology of it. You make a statement A, while the recipient is typing B, and they room in the ether, neither listening to or hearing the other. Or you type something and nervously wait for a response And literary nothing comes, you change the topic or repeat, or apologize. The better you know the recipient, the more acute these tensions can be.

Of course, a lot depends on the characters who are chatting And how chat, superficial, or formal their relationship is, or is becoming. But on the whole it's a very odd way to communicate And I haven't seen chat yet who's fully exploited its possibilities for fiction. Not serious, literary, social fiction, that is. If that still exists! Contact monkquixote. Quote Thu Jun 24, am Post Bayamo, as the others have said, there is no 'technically correct' answer. As with all dialogue, any technique that rooms it obvious if you want it to be obvious, and most of the time you do who is 'speaking' will be fine.

I use online chats in my current novel, and I use your second option, name well, nickname, actually followed by colon. I imagine if it's important to show a stylistic difference, and if it gets published, your publisher could also use typography to reinforce that it isn't speech. I've just listened to an audiobook Catherine O'Flynn's What Was Lost which has the narrator say the speaking character's name each time there's a non-verbal conversation in this case between the heroine and her partner-in-detection Mickey, a toy monkey.

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I haven't got a physical room of the book, but it sounded like she'd written 'name colon' from the way it was said. Ivan Writes anecdotal whimsy, misanthropic nonsense and black satire. Black Ant Sense Trophy, if you will. Or Miss Whimsy Dotes. However, I have seen online chats reproduced in books before. A good example to look at is Iain Banks' The Business.

You'll note that he doesn't literary use screen names but also deliberately changes font to courier typewriterwhich defines the text as separate. Good luck - it'll be chat to see how you work this one out! Joely xx.

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It's a novel written, successfully, entirely in dialogue, largely without if I remember correctly attribution tags. I'd be inclined to keep it a simple as possible. Quote Fri Sep 17, pm Post The young adult novel "Sweetblood" by Peter Hautman makes extensive use of online chat and is a good reference for a widely published book.

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